Sophie Vander with  Synthetic  2019 featured in  The Australian Financial Review  2020. Photo credit: Louie Douvis

Sophie Vander with Synthetic 2019 featured in The Australian Financial Review 2020. Photo credit: Louie Douvis

 in-xcess 2017 in a private residence designed by Alexander &CO. Photographed by Anson Smart and styled by Claire Delmar. Published in Marie Claire Australia Sep 2019 Issue and featured on The Design Files

in-xcess 2017 in a private residence designed by Alexander &CO. Photographed by Anson Smart and styled by Claire Delmar. Published in Marie Claire Australia Sep 2019 Issue and featured on The Design Files

  Aridity  2017 styled by Jacqui Moore for klaylife. Photographed by Armelle Habbib.  Featured in The Design Files

Aridity 2017 styled by Jacqui Moore for klaylife. Photographed by Armelle Habbib. Featured in The Design Files

  Static  2019 featured in a private residence

Static 2019 featured in a private residence

  In The Aftermath  2022 as part of the  There With Us  exhibition at @14Langridge curated by Curatorial+Co

In The Aftermath 2022 as part of the There With Us exhibition at @14Langridge curated by Curatorial+Co

  Static  2019 in a private residence designed by Daniel Boddam. Photographed by Pablo Veiga and styled by Claire Delmar. Featured in est living

Static 2019 in a private residence designed by Daniel Boddam. Photographed by Pablo Veiga and styled by Claire Delmar. Featured in est living

 Install of  Young Guns on the Left  at Linton and Kay Galleries in West Perth

Install of Young Guns on the Left at Linton and Kay Galleries in West Perth

  Fading In Time  2022 as part of the Darlings exhibition at Curatorial+Co

Fading In Time 2022 as part of the Darlings exhibition at Curatorial+Co

  Sand  2020 as part of the  Here With Me  exhibition at Curatorial+Co

Sand 2020 as part of the Here With Me exhibition at Curatorial+Co

  This Has All Been For Something  2019 featured in a private residence.

This Has All Been For Something 2019 featured in a private residence.

  Altær  2020 featured in a private residence.

Altær 2020 featured in a private residence.

  Motions  2020 as part of the Darlings exhibition at Curatorial+Co

Motions 2020 as part of the Darlings exhibition at Curatorial+Co

  Sensation  2018 in a private residence. Photographed by Prue Ruscoe, styled by Claire Delmar and Interiors by Studio Gorman. Featured on The Design Files.

Sensation 2018 in a private residence. Photographed by Prue Ruscoe, styled by Claire Delmar and Interiors by Studio Gorman. Featured on The Design Files.

image copyw.jpg
  Peachy  2017 at a private residence

Peachy 2017 at a private residence

  Held  2015 in a private residence. Photographed by Amanda Santamaria and styled by Rosanna Ceravolo.

Held 2015 in a private residence. Photographed by Amanda Santamaria and styled by Rosanna Ceravolo.

  Silenced  2017 at a private residence. Photography by The Sydney Morning Herald

Silenced 2017 at a private residence. Photography by The Sydney Morning Herald

  Silenced  2017 at a private residence

Silenced 2017 at a private residence

 Aridity 2017 at a private residence

Aridity 2017 at a private residence

  Bushfire  2018 at a private residence

Bushfire 2018 at a private residence

  Ultramarine  2018 and  Blinding  2018 in a private residence

Ultramarine 2018 and Blinding 2018 in a private residence

 ‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.   Photo by Jackson Grant.

‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.

Photo by Jackson Grant.

 ‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.  Photo by Jackson Grant.

‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.

Photo by Jackson Grant.

 Amnesia 2017 at a private residence

Amnesia 2017 at a private residence

  Silenced  and  Aridity  in the studio in 2017

Silenced and Aridity in the studio in 2017

  Finding Solace  (2016) at PSAS Upstairs, 2017

Finding Solace (2016) at PSAS Upstairs, 2017

 RMIT Bachelor of Fine Art Graduate Exhibition 2015

RMIT Bachelor of Fine Art Graduate Exhibition 2015

  Temporal Edit  (2015) and  Fragmented ( 2015)

Temporal Edit (2015) and Fragmented (2015)

  ALL by Accidental Discharge  at Neon Parlor in 2016

ALL by Accidental Discharge at Neon Parlor in 2016

  Mesh  projection installation at The Edge, State Library of Queensland auditorium in 2016

Mesh projection installation at The Edge, State Library of Queensland auditorium in 2016

  Building Walls  2018 at a private residence

Building Walls 2018 at a private residence

  Mesh  projection installation at The Edge, State Library of Queensland auditorium in 2016

Mesh projection installation at The Edge, State Library of Queensland auditorium in 2016

 Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

 Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

 Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

 Installation at Anna Pappas Gallery

Installation at Anna Pappas Gallery

Project 17 – Radical Immanence at Anna Pappas Gallery 2017

  Tough Crowd , First Site Gallery, 2015

Tough Crowd, First Site Gallery, 2015

 Channels Festival 2015 at Federation Square

Channels Festival 2015 at Federation Square

 Channels Festival 2015 at Federation Square

Channels Festival 2015 at Federation Square

 Gertrude Street Projection Festival, 2016

Gertrude Street Projection Festival, 2016

1D0A9393-small.jpg
 Sophie Vander with  Synthetic  2019 featured in  The Australian Financial Review  2020. Photo credit: Louie Douvis
 in-xcess 2017 in a private residence designed by Alexander &CO. Photographed by Anson Smart and styled by Claire Delmar. Published in Marie Claire Australia Sep 2019 Issue and featured on The Design Files
  Aridity  2017 styled by Jacqui Moore for klaylife. Photographed by Armelle Habbib.  Featured in The Design Files
  Static  2019 featured in a private residence
  In The Aftermath  2022 as part of the  There With Us  exhibition at @14Langridge curated by Curatorial+Co
  Static  2019 in a private residence designed by Daniel Boddam. Photographed by Pablo Veiga and styled by Claire Delmar. Featured in est living
 Install of  Young Guns on the Left  at Linton and Kay Galleries in West Perth
  Fading In Time  2022 as part of the Darlings exhibition at Curatorial+Co
  Sand  2020 as part of the  Here With Me  exhibition at Curatorial+Co
  This Has All Been For Something  2019 featured in a private residence.
  Altær  2020 featured in a private residence.
  Motions  2020 as part of the Darlings exhibition at Curatorial+Co
  Sensation  2018 in a private residence. Photographed by Prue Ruscoe, styled by Claire Delmar and Interiors by Studio Gorman. Featured on The Design Files.
image copyw.jpg
  Peachy  2017 at a private residence
  Held  2015 in a private residence. Photographed by Amanda Santamaria and styled by Rosanna Ceravolo.
  Silenced  2017 at a private residence. Photography by The Sydney Morning Herald
  Silenced  2017 at a private residence
 Aridity 2017 at a private residence
  Bushfire  2018 at a private residence
  Ultramarine  2018 and  Blinding  2018 in a private residence
 ‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.   Photo by Jackson Grant.
 ‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.  Photo by Jackson Grant.
 Amnesia 2017 at a private residence
  Silenced  and  Aridity  in the studio in 2017
  Finding Solace  (2016) at PSAS Upstairs, 2017
 RMIT Bachelor of Fine Art Graduate Exhibition 2015
  Temporal Edit  (2015) and  Fragmented ( 2015)
  ALL by Accidental Discharge  at Neon Parlor in 2016
  Mesh  projection installation at The Edge, State Library of Queensland auditorium in 2016
  Building Walls  2018 at a private residence
  Mesh  projection installation at The Edge, State Library of Queensland auditorium in 2016
 Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra
 Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra
 Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra
 Installation at Anna Pappas Gallery
  Project 17 – Radical Immanence  at Anna Pappas Gallery 2017
  Tough Crowd , First Site Gallery, 2015
 Channels Festival 2015 at Federation Square
 Channels Festival 2015 at Federation Square
 Gertrude Street Projection Festival, 2016
1D0A9393-small.jpg

Sophie Vander with Synthetic 2019 featured in The Australian Financial Review 2020. Photo credit: Louie Douvis

in-xcess 2017 in a private residence designed by Alexander &CO. Photographed by Anson Smart and styled by Claire Delmar. Published in Marie Claire Australia Sep 2019 Issue and featured on The Design Files

Aridity 2017 styled by Jacqui Moore for klaylife. Photographed by Armelle Habbib. Featured in The Design Files

Static 2019 featured in a private residence

In The Aftermath 2022 as part of the There With Us exhibition at @14Langridge curated by Curatorial+Co

Static 2019 in a private residence designed by Daniel Boddam. Photographed by Pablo Veiga and styled by Claire Delmar. Featured in est living

Install of Young Guns on the Left at Linton and Kay Galleries in West Perth

Fading In Time 2022 as part of the Darlings exhibition at Curatorial+Co

Sand 2020 as part of the Here With Me exhibition at Curatorial+Co

This Has All Been For Something 2019 featured in a private residence.

Altær 2020 featured in a private residence.

Motions 2020 as part of the Darlings exhibition at Curatorial+Co

Sensation 2018 in a private residence. Photographed by Prue Ruscoe, styled by Claire Delmar and Interiors by Studio Gorman. Featured on The Design Files.

Peachy 2017 at a private residence

Held 2015 in a private residence. Photographed by Amanda Santamaria and styled by Rosanna Ceravolo.

Silenced 2017 at a private residence. Photography by The Sydney Morning Herald

Silenced 2017 at a private residence

Aridity 2017 at a private residence

Bushfire 2018 at a private residence

Ultramarine 2018 and Blinding 2018 in a private residence

‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.

Photo by Jackson Grant.

‘Renaissance’ 2015 Installed at Shifting Space exhibition at 222 Rosslyn in 2018.

Photo by Jackson Grant.

Amnesia 2017 at a private residence

Silenced and Aridity in the studio in 2017

Finding Solace (2016) at PSAS Upstairs, 2017

RMIT Bachelor of Fine Art Graduate Exhibition 2015

Temporal Edit (2015) and Fragmented (2015)

ALL by Accidental Discharge at Neon Parlor in 2016

Mesh projection installation at The Edge, State Library of Queensland auditorium in 2016

Building Walls 2018 at a private residence

Mesh projection installation at The Edge, State Library of Queensland auditorium in 2016

Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

Macquarie Digital Portrait Award 2015 at The National Portrait Gallery, Canberra

Installation at Anna Pappas Gallery

Project 17 – Radical Immanence at Anna Pappas Gallery 2017

Tough Crowd, First Site Gallery, 2015

Channels Festival 2015 at Federation Square

Channels Festival 2015 at Federation Square

Gertrude Street Projection Festival, 2016

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